digital art vocabulary james bondo glazing

Hi , this is a great resource for students or pre students , or for someone who is really passionate about art history , I found this book , many years ago , while homeschooling my child and for myself i loved it , i study it even to day . So much information and interesting summarys and research of art history . Over 500 pages to gather your interests in Art History. Pictures and timelines to get you researching and many interesting facts and boxes of information that you never knew .Recommended for students in Art / Art Histoy / or some one passionate about the subject , even if you want to curate or work in museums or gallerys , a must read book .This book is not by me , i have shared it here for everyone , as i think it does not get enough praise , and credit for all the hard work and reserarch involved .

Expressionism: or ABEX; this art historical term is specific to a group of painters working in New York after the Second World War. This group includes Jackson Pollock, Willem de Kooning, Lee Krasner, and Helen Frankenthaler. Their primary approach to painting was gestural, and “all over, ” a condition in which no single part of the work is visually predominant. Acrylic: a fast drying water-soluble petroleum based painting medium. Actual Texture: the condition in which texture is created, not represented. Actual texture is the opposite of simulated texture or the illusion of texture. Examples include brushstrokes, impasto, collage, and inclusion. Additive Color: color based on projected light. Additive: a sculptural process in which material is added. Afterimage: the optical sensation that occurs after a visual stimulus is removed. The afterimage is a quickly fading complement of the original stimulus. Analogous Color: a color scheme that uses colors adjacent to an initial point on t...

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The Human Condition: The Stephen and Pamela Hootkin Collection of Contemporary Ceramic Sculpture, Exh. Cat., by Russell Panczenko, Garth Clark, and Christy Wahl. Madison: Chazen Museum of Art

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“Artists’ Biographies, Bibliography, and Exhibition Checklist.” In The Human Condition: The Stephen and Pamela Hootkin Collection of Contemporary Ceramic Sculpture, Exh. Cat., by Russell Panczenko, Garth Clark, and Christy Wahl. Madison: Chazen Museum of Art, 2014

This book is published on the occasion of the exhibition The Human Condition: The Stephen and Pamela Hootkin Collection of Contemporary Ceramic Sculpture, held at the Chazen Museum of Art, University of Wisconsin–Madison, September 4–November 30, 2014. © 2014 The Board of Regents of the University of Wisconsin System. All rights reserved under International and Pan-American Copyright conventions(inset) was published 70 years ago on 13 April 1953. Daniel Craig (pictured) portrayed James Bond in the 2006 film adaptation of the book. James Bond remains the property of Eon Productions and Ian Fleming Publications.

On the 70th anniversary of the publication of Ian Fleming’s first James Bond novel, Casino Royale, we ask the question: Why does James Bond have such a large footprint in scholarly literature? Our analysis reveals that Bond, James Bond, is about more than just espionage, vodka martinis and cinema studies.

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Every so often a fictional character is so well drawn that even though they often embody the ideals or sensibilities of a non-contemporary era, with all the challenges that can present, they transcend their original zeitgeist to be constantly reinvented, renewed and, to use a modern term, rebooted for new generations.

In science fiction and fantasy, this is a familiar trope, with Doctor Who, Superman and Spider-Man all being prime examples of characters who receive frequent updates for contemporary audiences. Outside science fiction, you will be hard put to call to mind a character with the same enduring appeal and knack for self-reinvention.

The almost sole example of such a character is one Commander James Bond of the British Secret Service – a character who so thoroughly embodies Britishness (even Englishness) of a certain style and period that it is almost at odds with his seeming longevity. And yet, this month he celebrates 70 years since first jumping off the page of

Never Say Never Again

In 1958), and the Vesper Martini (a vodka martini of the shaken rather than stirred variety that Fleming invented and named for Bond’s love interest Vesper Lynd).

Despite the challenges of Bond’s originally written misogyny, and references to race that the publisher says are being revised, he has become much loved around the world, and lays claim to one of the most successful film franchises in the history of cinema. A major cultural export for the UK, Bond films have featured and established icons of the British music scene including singer Dame Shirley Bassey and composer John Barry. In addition, the films highlighted both British and non-British brands while pioneering brand positioning in movies while, at the same time, making Q (no, not the one from

Bond has come to embody a certain brand of Britishness, a fact clearly acknowledged as Daniel Craig was chosen to appear as Bond to escort Her Majesty the Queen to the London Olympics in a short film prepared for the 2012 opening ceremony. And, as life sometimes imitates art, (and perhaps also gives an insight into the wry sense of humour of a particular member of the Royal family), a decade later Daniel Craig was awarded a CMG (the Most Distinguished Order of St Michael and St George) in recognition of his services to theatre and cinema in the Queen’s 2022 Birthday Honours – the same honour given to the fictional Bond by Fleming in 1957’s book,

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Thousands of scholarly articles have been written about James Bond since his inception – but how do we know this, and what are they about?

A simple Dimensions search limited to titles and abstracts yields 674 references to James Bond, including the descriptively titled 2022 article “No Mr Bond, we expected you to die”: a medical and psychotherapeutic analysis of trauma depiction in the James Bond films

Arguably these articles represent those where Bond is a central focus of the work, but even at this level, a quick look at the ANZSRC article classifications (recently updated to the new ANZSRC Field of Research (FoR) 2020 codes as described in our recent paper) is revealing, with work being classified as code

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Accounting for much of the 2-digit-level assignment) only accounting for around 30% of research output. Even though Bond has made his mark beyond the

Arts, Bond-themed titles do appear to be more predictable (compare, for example, 2009’s “Compute? No, Mr. Bond, I Expect You to Die!” with our earlier-mentioned paper).

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Figure 1: Advanced search in Dimensions to locate an exact phrase in the Dimensions full-text catalog (including more than 80 million articles at the time of writing). Note the 32 authors that need to be removed as a result of their name containing the string “James Bond”.

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Using Dimensions’ advanced searching capabilities, we quickly find that James Bond’s impact on research discourse is much larger than this apparently meagre 600 articles from the basic search above. If we broaden the search to use Dimensions’ Exact Search (one of the advanced search tools that allows more powerful, fine-grained searches of the full-text corpus behind

), then we can identify more than 28, 000 articles that mention James Bond. Of course, this more advanced search includes full text, and hence we need to be more careful with our methodology. In this case, the query needs to be modified to remove all 32 authors who are fortunate (or indeed unfortunate) enough to have the name James Bond contained within their names.

In this expanded dataset, references to Bond can be more tangential – for example, as a cultural reference: Bond as a relatable example, a gateway or a framing for a set of ideas, or to quickly orient the reader to a specific era, or a set of values. Indeed, in this expanded dataset, ANZSRC FoR code

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However, even this new dominant category only occupies 12% of the “Bondverse”, with a much greater diversity of topics playing a role, including FoR

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At 3.5%. Indeed, articles in the Bondverse have been written on Gender Studies, Built Environment and Design, Political Science, Philosophy and Religion, Psychology, Marketing, Biomedical Sciences and Law, all of which are able to use James Bond as a gateway to help people relate to their topic.

The brand of Bond is so powerful that it is often mentioned through other affiliations, such as those with particular artists as in “Man vs the machine: The Struggle for Effective Text Anonymisation in the Age of Large Language Models”, where singer/songwriter Adele is the principal focus of the commentary, but where Bond receives a collateral mention; or where Bond’s connection to those wonderful gadgets and cars from the long-suffering Q means that he is a natural point of reference as in Automated Driving in Its Social, Historical and Cultural Contexts. Each year, a consistent 1000 or so articles refer to James Bond (approximately the output of a medium-sized research institution). Outlets that regularly publish articles referring to James Bond include SSRN, the Journal of Cold War Studies

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(MIT Press

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